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Indian TV and Crime: A remarkable evolution

Any recounting of a real life crime is a tricky situation.  I remember  stealing “Manohar Kahaniya” from my grandmother and reading the chilling real life stories of murder and rape with a mixture of dread and wonder when I was a kid. It is not a secret that while all of us look upon crime with disgust and fear, we are also plagued by the spirit of voyeurism and there is an adrenaline rush among all of us  when we watch these things happen on TV.

This is why I call the idea of  re- creating a crime scene on TV  tricky. There is the constant lure of falling in the pit of sensationalism, which might get you the TRP’s but you end up losing out on ethics. TV in a medium of influence and that is why how a criminal’s story is presented is extremely important and needs delicate handling.

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Crime Patrol- Dastak on Sony TV has got it just right. The presence of  the word “Dastak” asserts the preventive nature of the telecast- The series brings to life different incidents of crime in the past everyday with surprising authenticity , but  the problematique  ( the central theme) is how it could have been prevented in the first place. The ball is thrown in the viewer’s court: He identifies himself with the victim and picks out clues pertaining to the behavior and the circumstances of the crime, and unconsciously prepares his mind for facing an  actual crime in future.

The host Anup Soni is an asset. His involvement with the story he is narrating is balanced. He is aloof enough to pick out the gaps from both sides (criminal and the victim), yet manages to express the anguish that a bystander feels when faced with unfair stories. His quick summary at the end of each episode: underlining the points, where various “Dastaks” materialized but were not heeded to, leaves a strong impression on your mind. His appeal as an host is the genuineness and the absence of theatrical antics : as the nature of the crime, his narration seems real and you listen to him.

Another crime show on Lifeok “Savdhaan India focuses on the  victory of normal people over criminals. Thought the intent of the series is very noble and a lot of episodes are inspiring, there is a hint of theatrical glorification of the crimes. I would like to cite an example of an episode detailing a train robbery in Uttarakhand , where the profile of the chief dacoit was portrayed in exquisite detail, and as a viewer I ended up thinking, if I had a son , he would choose to be on the bad side. Having said that, the concept behind this series is brilliant and the message is it is sending out is important: There is a hero in every one of us.

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Evolution of the Indian TV has been quite noteworthy in the genre of crime non -fiction. TV finally is playing a part in bringing lessons in homes about how to stay safe.  Congratulations to the  creative teams that  think out of the box and make TV  , not just entertaining, but intelligent too.   TV is not just an idiot box anymore. It brings  you lessons that can even save your life. As Crime Patrol puts it: Satark rahen, Surakshit rahen.

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About TulikaD

A full fledged dreamer. I prefer to see life pass by from a train window rather than trying to catch up with it. P.S I write if I feel like it!:)

Discussion

5 thoughts on “Indian TV and Crime: A remarkable evolution

  1. Very well written and presented. Now its High time for The Idiot Box isn’t existing anymore, Its more than that… Intelligent viewers are growing and so the Society. We are aware now and we will fight Crime till END :)) Another Dhamakedar Review :)) HATS OFF Dreamers

    Posted by t2thechamp | August 12, 2013, 8:19 am
  2. Crime Patrol is the best….
    No crime show can beat Crime Patrol. Hats of to Subbu Sir for vreating sucha great show..

    Copy cats like Saavdhan India are failures….

    Posted by Itee | August 12, 2013, 10:45 am
  3. I find the way Anoop Soni hosts this show is really interesting. This show has connected well with the chord. There is no overflowing of drama.

    Posted by Anushree | September 2, 2013, 8:19 am

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